Quilting


Egyptian Patchwork

Today Egyptians are making patchwork that is undoubtedly a development of the very art practised in the days of Ptolemy, Rameses, and Cleopatra. They do not use their patchwork to adorn quilts, since these are unknown in the warm Nile valley, but as covers for cushions, panels for screens, and decorations suitable for wall hangings. Generally but two kinds of material are employed in its construction: a rather loosely woven cotton cloth, and a firm, coarse linen. The cottons used are all brightly dyed in plain colours, and the linens are in the natural shades, with perhaps a slight mixture of white. The patchwork designs are typically Egyptian, many pieces being covered with replicas of paintings found on tombs and temples. These paintings are copied as faithfully in colour as in design, even the hieroglyphics being exactly reproduced, and altogether make very striking and effective decorations.

The modern Egyptians have the innate taste and ability of all Orientals for harmonizing color. Their universal use of black to outline and define most of the designs produces a beautiful harmony between otherwise clashing hues. With nearly as many shades at their disposal in cloth as a painter has in paint, they are quite ambitious in their attempts to produce realistic scenes. On some of the best specimens of modern Egyptian patchwork gods and goddesses are shown sitting enthroned surrounded by attendants and slaves bearing trophies of war and chase as offerings to the divine beings. On others, groups of men and women are shown, humbly presenting salvers of fruit and the sacred flower—the lotus—to their gods. Some of the most effective work is decorated with a simple life-size figure of Osiris or Rameses the Great in brilliant colors. A few of the more subdued patchwork designs consist of a solitary scarab, the sacred beetle of the Pharaohs, or an asp or two gracefully entwined. The smaller pieces make practical and admirable cushion covers.

There are many attractive shops in Cairo that sell quantities of this gay patchwork, and few tourists leave Egypt without a specimen or two as mementos of the paintings that give us a glimpse of Egypt's ancient splendor.



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